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A Violinist in the Metro

Jazz Vocalist/Historian Joan Cartwright and her ensemble trace the origins of Jazz from the West Coast of Africa to the clubs of Harlem. This presentation highlights the life, times and tunes of America’s premiere Blues and Jazz Women from Bessie Smith to Betty Carter and beyond. Selections include compositions of Duke Ellington, Fats Waller, Billie Holiday, Cole Porter, Norman Mapp and Joan Cartwright. (1-2 hours) 

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MUSIC and SONGS

The String! That's it! Its lowest vibration gives you the standard model. Soon, you'll be able to say, "Strings!" and you get your Ph.D. All these particles are musical notes. Physics is the loss of harmony. Chemistry is the melodies you can play on vibrating strings. The Universe is a symphony of strings. The mind of God is Cosmic Music resonating through 10th dimensional hyperspace. The harmonic vibrating strings create the subatomic particles that create the atoms that create the universe. Chords, thirds, fifths in harmony equal the atomic theory. It's nothing but musical notes. The next octave - sparticles - will be higher musical notes. -- Dr. Kaku with Judy Joy Jones


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SANDRA KAYE IN CONCERT


MISS SANDRA KAYE
The Mesquite Jazz Repertory Ensemble
March 7, 2008

 

WOMEN IN JAZZ ON TOUR

A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousand of people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this but the violinist was Joshua Bell, one of the best musicians in the world. He played one of the most intricate pieces ever written with a violin worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100.

This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of an social experiment about perception, taste and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

One of the possible conclusions from this experience could be:

If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?

Try not to miss the beauty of life coming your way.

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